Plainchant settingAnglican chant setting by Thomas Attwood Walmisley (1814–1856)Anglican chant setting by Malcolm Boyle (1902–1976) Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone II 1. Anglican chant setting by Thomas Attwood Walmisley (1814–1856) The Choir of Guildford Cathedral sings Psalm 49 in a chant composed by Thomas Attwood Walmisley. The conductor is Andrew Millington and the organist is Geoffrey Morgan. Anglican chant setting by Malcolm Boyle (1902–1976) The Choir of Liverpool Metropolitan Cathedral sings Psalm 47 using a chant composed by Malcolm Boyle. The choir is conducted by David Poulter and accompanied by…
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Psalm 49.
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Psalm 54.
Deus, in Nomine salvum meThe recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone IV 6.
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Psalm 55.
Exaudi, Deus, orationem meamThe recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone I A 8.
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Psalm 98.
Cantate Domino canticum novumThe recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone VI A.
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Psalm 50
The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone III A 2.
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Psalm 29.
Afferte Domino, filii DeiThe recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone V 3.
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Psalm 150.
Cantate Domino canticum novumThe recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tonus Peregrinus A.
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Psalm 142.
Voce mea ad Dominum clamaviThe recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone VI B.
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Psalm 138.
Confitebor tibi, Domine, in toto corde meoPlainchant settingAnglican chant setting by Thomas Attwood (1765–1838)Anglican chant setting by Charles Harford Lloyd (1849–1919)Anglican chant setting by Gerald Finzi (1901–1956)Anglican chant setting by Henry Ley (1887–1962) Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone V 2. Anglican chant setting by Thomas Attwood (1765–1838) Psalm 138 is sung here in a setting by Thomas Attwood, once a favorite student of Mozart’s. The singers are the Choir of York Minster conducted by Robert Sharpe with organist David Pipe. Anglican chant setting by Charles Harford Lloyd (1849–1919) The Choir of Wells Cathedral sings Psalm 138…
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Psalm 127.
Nisi Dominus ædificaverit domumThe recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone II 1.