Psalm 138.
Confitebor tibi, Domine, in toto corde meo

Plainchant setting
Anglican chant setting by Thomas Attwood (1765–1838)
Anglican chant setting by Charles Harford Lloyd (1849–1919)
Anglican chant setting by Gerald Finzi (1901–1956)
Anglican chant setting by Henry Ley (1887–1962)

Plainchant setting

The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone V 2.

Anglican chant setting by Thomas Attwood (1765–1838)

Psalm 138 is sung here in a setting by Thomas Attwood, once a favorite student of Mozart’s. The singers are the Choir of York Minster conducted by Robert Sharpe with organist David Pipe.

Anglican chant setting by Charles Harford Lloyd (1849–1919)

The Choir of Wells Cathedral sings Psalm 138 to a chant setting by Charles Harford Lloyd. The choir’s conductor is Anthony Crossland and the organist is Christopher Brayne.

Anglican chant setting by Gerald Finzi (1901–1956)

The Chichester Cathedral Choir sings Psalm 138 to a chant composed by Gerald Finzi. The choir‘s director is Charles Harrison and the organist is Timothy Rivalde.

Anglican chant setting by Henry Ley (1887–1962)

In September 2010, Pope Benedixt XVI made a four-day state visit to Great Britain. During the visit, he attended an Evening Prayer service at Westminster Abbey, the first time a reigning pope visited the Abbey. You can watch a recording of that service here. During the service, the Westminster Abbey Choir, conducted by James O’Donnell, sang a setting of Psalm 138 by Henry Ley.

Demo Description


Johann Sebastian Bach[n 1] (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his prolific output across a variety of instruments and forms, including the orchestral Brandenburg Concertos; solo instrumental works such as the Cello Suites and Sonatas and Partitas for Solo Violin; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schübler Chorales and the Toccata and Fugue in D minor; and choral works such as the St. Matthew Passion and the Mass in B minor. He is known for his mastery of counterpoint, as heard in The Musical Offering and The Art of Fugue. Felix Mendelssohn precipitated the Bach Revival with a performance of the St. Matthew Passion in 1829. Ever since, Bach has been acclaimed as one of the greatest composers in the history of Western music.

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