On this page Plainchant from the St. Dunstan’s Plainsong PsalterAnglican chant setting by John GossAnglican chant setting by Cyril Musgrave and James DearAd te levavi animam meam, by G. P. da PalestrinaAd te Domine levavi animam meam, by Alessandro Scarlatti Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone I A 9. Anglican chant setting by John Goss While parishioners may not recognize his name, they have almost certainly sung some of his music. Sir John Goss (1800–1880) wrote the hymn tune LAUDA ANIMA, to which we sing “Praise, my soul, the King of…
-
Psalm 25.
-
Psalm 31:17–27.
In manibus tuis sortes meaePlainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone VII 6.
-
Psalm 31
In te, Domine, Speravi
Plainchant settingsAnglican chant settings by E. F. Day (1891–1983), H. S. Oakley (1830–1903), and K. J. Pye (1812–1901)Anglican chant settings by C. F. South, Richard Shephard, and Walter AlcockAnglican chant settings by Charles Harford Lloyd (1849–1919) Plainchant settings The recordings below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. THe first section of the Psalm is chanted to Tone VIII 1. The second section uses Tone VII 6. When viewed directly on YouTube, this video also presents commentary on the text of this Psalm. Anglican chant settings by E. F. Day (1891–1983), H. S. Oakley (1830–1903), and K. J. Pye (1812–1901) The Ely…
-
Psalm 119:89–104.
In æternum, Domine;
Quomodo dilexi legem tuam, Domine!Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone II 1.
-
Psalm 41
Beatus qui intelligit
Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone III A 2.
-
Psalm 42.
Quemadmodum desiderat cervusPlainchant settingAnglican chant setting by Samuel Sebastian Wesley (1810–1876)Anglican chant setting by Gerald Hocken Knight (1908–1979)Anglican chant setting by Thomas Rogers（1839–1899) and H. Walford Davies (1869–1941)Anglican chant setting of Psalms 42 and 43 by Thomas Rogers (1839–1899)Anglican chant setting of Psalms 42 and 43 by James Turle (1802–1882) Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone V 1. Anglican chant setting by Samuel Sebastian Wesley (1810–1876) The Choir of St John’s Cambridge sings Psalm 42 to a setting by Samuel Sebastian Wesley. The conductor is George Guest with John Scott at the organ.…
-
Psalm 50.
Deus deorum, Dominus locutus estThe recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone III A 2.
-
Psalm 44:1-17.
Deus, auribus nostris audivimusThe recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone VII 1.
-
Psalm 44:18-26.
Hæc omnia veneruntThe recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone IV 7.
-
Psalm 52.
Quid gloriaris in malitia?The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone VII 7.