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Cantica sacra

exploring the rich legacy of sacred singing

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      • Psalms, monthly cycle
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    • Education
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    • Essays
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    • Interviews
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  • Glossary
  • About
  • Psalms, hymns, etc.
    • Weekly liturgical elements
    • Psalms
      • Psalms, monthly cycle
      • Psalms, by number
      • Psalms, by tone
    • Canticles
    • Hymns
  • Texts
  • Composers
  • Poets
  • Read, learn, etc.
    • Education
      • Chant tutorials
      • Chant workshop
      • Psalm samples
      • St. Dunstan’s Psalter
    • Essays
    • Notable repertoire
    • Recording reviews
    • Interviews
    • Singers’ Sandbox
  • Glossary

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New or recently updated

Dorian Mass setting by Wallace Hornady: scores and recordings

Interview with Thomas Forrest Kelly on the history of musical notation.

An abundance of recordings and commentary concerning the music of Advent is presented on this page.

“Resting in Love’s quiet watch” — Josef Gabriel Rheinberger’s name is well known among church organists. It should be better know among lovers of sacred choral music.

The recordings of hymns made in our “Choir in Quarantine” series are all available on this page.

“The Christian Singer from the Gospels to the Gothic Cathedrals” — a series of six lectures by Christopher Page.

“Music, Imagination, and Experience in the Medieval World” — a series of six lectures by Christopher Page.

Interview with Christopher Page on The Christian West and Its Singers: The First Thousand Years.

William Byrd’s setting of the Te Deum adorns this familiar text with a kaleidoscopic sequence of sound.

  • Psalms

    Psalm 78:41–56.
    Quotiens exacerbaverunt eum in deserto

    April 4, 2021 /

    Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone II 2.

    Read More
    Ken Myers
  • Psalms

    Psalm 78:18–40.
    Et apposuerunt adhuc peccare ei

    April 4, 2021 /

    Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone IV 3.

    Read More
    Ken Myers
  • Psalms

    Psalm 53.
    Dixit insipiens in corde suo

    April 4, 2021 /

    Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone III A 5.

    Read More
    Ken Myers
  • Psalms

    Psalm 38.
    Domine, ne in furore

    April 4, 2021 /

    Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone IV 8.

    Read More
    Ken Myers
  • Psalms

    Psalm 88.
    Domino, Deus, salutis meæ

    April 4, 2021 /

    Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone IV 7.

    Read More
    Ken Myers
  • Psalms

    Psalm 119:161–176.
    XXI. Principes persecui sunt me gratis
    XXII. Appropinquet deprecatio mea in conspectu tuo

    April 4, 2021 /

    Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone III A 4.

    Read More
    Ken Myers
  • Psalms

    Psalm 109:20–30.
    Et tu, Domine

    April 4, 2021 /

    Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone IV 6.

    Read More
    Ken Myers
  • Psalms

    Psalm 109:5–19.
    Constitue super eum peccatorem

    April 4, 2021 /

    Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone IV 5.

    Read More
    Ken Myers
  • Psalms

    Psalm 109:1–4.
    Deus, laudem meam ne tacueris

    April 4, 2021 /

    Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone IV 6.

    Read More
    Ken Myers
  • Psalms

    Psalm 83.
    Deus, quis similis?

    April 4, 2021 /

    Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone VII 1.

    Read More
    Ken Myers
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About our hymns

“Deck thyself, my soul, with gladness” originally featured six stanzas that we don’t now sing . . .

Charles Wesley’s triumphant “Hail the day that sees him rise” is one of many triumphant hymns to celebrate the Ascension

This mid-19th-century hymn was written to defend the Creed’s claims about the Church

This hymn was written as musical partner for the reading of I Corinthians 13.

 

Singing Psalm 47

There are many references to the elements of music in this Psalm: clapping, singing, melody, a merry noise, and the sound of a trump(et). That proliferation of musical allusions may account for the large number of settings of this Psalm to music.

MORE . . .

The wonder of Thomas Tallis

One of the greatest composers in the early years of Anglicanism navigated the changes in ecclesiastical life with remarkable poise and creativity.

MORE . . .

William Byrd’s Te Deum

Our parish typically sings this great ancient hymn to Anglican chant. Most of the many settings of this text are in Latin, but one of the greatest in English is by William Byrd.

MORE . . .

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