The recordings below are basedon the Sarum Psalm tones as presentedin the St. Dunstan’s Plainsong Psalter.  Morning Prayer Psalm 1   Beatus vir qui non abiit   (Tone I B 1) Psalm 2   Quare fremuerunt gentes?   (Tone III A 4) Psalm 3   Domine, quid multiplicati?   (Tone II 1) Psalm 4   Cum invocarem exaudivit me   (Tone VIII 1) Psalm 5   Verba mea auribus percipe   (Tone I A 4) Evening Prayer Psalm 6   Domine, ne in furore tuo   (Tone VIII 5) Psalm 7   Domine Deus meus in te speravi   (Tone I A 1) Psalm 8   Domine Dominus noster quam admirabile   (Tone V 2)

Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone VIII 6. Two Anglican chant settings of all 51 verses in Psalm 18 are presented on this page.

Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone II 2. Two Anglican chant settings of all 51 verses in Psalm 18 are presented on this page.

Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone VI A. Anglican chant setting by Charles Hylton Stewart (1884–1932) One of the most frequently sung Anglican chant settings of Psalm 23 was by organist Charles Hylton Stewart. Our choir has sung this setting frequently. It is performed below by the choir of St. Paul’s Cathedral, London, conducted by John Scott.

Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone VIII 1.

Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone V 3.

Plainchant settingAnglican chant settings by G. R. Woodward (1848–1934), H. Smart (1813–1879), and L. Flintoft (1680–1727)Anglican chant settings by J. Bertalot (1931–2026), A. Surplice (1906–1977), and P. Buck (1871–1946)Anglican chant settings by A. H. Mann (1850–1929), C. F. South (1850–1916), T. A. Walmisley (1814–1856), and W. Wolstenholme (1865–1931)Anglican chant settings by Joseph Barnby (1838–1896) and C. Hubert Parry (1848–1918) Plainchant setting The recordings below are based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. Verses 1–15 use Tone I B 1. Verses 16–30 use Tone V 3. Verses 31–51 use Tone IV 12. Anglican chant settings by G. R. Woodward (1848–1934), H. Smart (1813–1879), and…

Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone VIII 2.

Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone I A 3.

Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone VI B.