The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone III A 5.

The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone VIII 6. The Choir of Peterborough Cathedral sings a setting of this Psalm in an Anglican chant based on music by Henry Purcell (1659-1695). The choir is conducted by Andrew Reid and accompanied on the organ by David Humphreys. Psalm 57 is sung here by the Choir of Lichfield Cathedral in a setting by William Hine (1687-1730). Jonathan Rees-Williams conducts, Mark Shepherd accompanies at the organ.

The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone VI C.

Plainchant settingAnglican chant setting by Heathcote Dicken Statham (1889–1973)Anglican chant setting by John Bertalot (1931–2026) Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone III A 4. Anglican chant setting by Heathcote Dicken Statham (1889–1973) The Norwich Cathedral Choir sings Psalm 2 to a chant composed by Heathcote Dicken Statham (1889–1973). Michael Nicholas conducts, with Neil Taylor at the organ. Anglican chant setting by John Bertalot (1931–2026) Below is a recording of the Choir of Exeter Cathedral singing a setting of Psalm 2 by John Bertalot, former organist at Blackburn Cathedral and Trinity Church,…

On this page Plainchant settingAnglican chant setting by Henry SmartAnglican chant setting by William CrotchChristopher Tye, Omnes gentes plaudite manibusGiovanni Gabrieli, Omnes gentes plaudite manibusOrlando Gibbons, O clap your handsRalph Vaughan Williams, O clap your handsPhilip Moore, O clap your hands Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone VII 6. Anglican chant setting by Henry Smart In the recording below, Psalm 47 is sung is to an Anglican chant setting by Henry Smart (1813-1879). It is sung by the Hereford Cathedral Choir, conducted by Roy Massey and accompanied by Geraint Bowen at…

The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone V 3. Since Martin Luther’s “A Mighty Fortress is our God” is a paraphrase of Psalm 46, Luther’s own melody for that confident hymn has long been used as the basis for Anglican chant rendering of the Psalm. It is sung here by the Westminster Abbey Choir directed by Martin Neary, with Andrew Lumsden playing the organ.

The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone VIII 2.

Plainchant settingAnglican chant setting by Henry Lawes (1596–1662)Anglican chant setting by William Crotch (1775–1847) Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone V 2. Anglican chant setting by Henry Lawes (1596–1662) The choir of St. John’s, Elora, Canada sings a setting of Psalm 8 by Henry Lawes. Anglican chant setting by William Crotch (1775–1847) A setting of Psalm 8 by William Crotch is sung here by Exeter Cathedral Choir, conducted by Andrew Millington. The organist is Paul Morgan.

Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone VIII 1. Anglican chant setting Below is a setting of Psalm 45 chanted to a setting by Barry Ferguson (b. 1942), who here directs the Choir of Rochester Cathedral, accompanied by Roger Sayer at the organ.

The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone III A 1.