Portions of Psalm 122 are heard in the Preface, Gradual, and Communion propers for this Sunday. In the middle of Lent, we are reminded of the joy of being in the Church. “I was glad when the said unto me: We will go into the house of the Lord.” This refers to more than being in a building; it is an affirmation of the Church as our Mother. Hence, the verse from Isaiah 66, also heard in the Introit: “Rejoice ye with Jerusalem: and be glad with her, all ye that love her: rejoice for joy with her, all ye that mourn for her: that ye may suck, and be…
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Third Sunday in Lent (March 24, 2019)
Our opening hymn —“We sing the praise of him who died” — is frequently sung during Passiontide, but its confidence in the mercy effected by the cross is anticipates the plea for mercy from Psalm 25 which is uttered in today’s Introit: “Turn thee unto me, and have mercy upon me: for I am desolate and in misery.” Another theme that recurs throughout the service is the desire for God’s protection. In the Introit, trust in that protection is affirmed: “he shall pluck my feet out of the net.” In today’s Collect, we pray that God will “stretch forth the right hand of thy Majesty, to be our defense against all…
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Second Sunday in Lent (March 17, 2019)
The Epistle and Gospel readings for this Sunday present an exhortation toward sanctification and an account of a healing miracle. The Collect speaks of both themes, in asking that God would “keep us both outwardly in our bodies, and inwardly in our souls.” The Introit also echoes the idea of being kept from dangers by God with phrases from Psalm 25: “Let not our enemies triumph over us: deliver us, O God of Israel, out of all our troubles.” Our opening hymn — “Spread, O spread, thou mighty word” — is a call to convey the Gospel’s message of deliverance from sin and death, and of the possibility of holy…
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First Sunday in Lent (March 10, 2019)
The Propers chanted by the choir on this first Sunday in Lent are dominated by verses taken from Psalm 91. It is rare for one biblical passage to be so prominent throughout the service, but this Sunday is exceptional. On this Sunday we enter a liturgical season in which Christ’s forty days in the wilderness (narrated in today’s Gospel reading) is remembered. That experience is marked preeminently by the Son’s faithfulness and trust in the Father’s protection, the theme of Psalm 91. Old Testament scholar Derek Kidner writes that Psalm 91 “is a psalm for danger: for times of exposure and encirclement or of challenging the power of evil.” As we…
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Ash Wednesday (March 6, 2019)
Our hymns in the 6:30 PM Ash Wednesday service will be: “Forty days and forty nights” “My faith looks up to thee” “Strengthen for service, Lord, the hands” “Glory be to Jesus” “Lord, who throughout these forty days” The links will connect you to pages that provide some historical notes about each hymn, as well as a piano rendition of each. Our Sequence hymn throughout Lent is an Anglican chant setting of Psalm 51:1-13. You may listen to it here, and download a copy of the music. The Offertory anthem in this service is Miserere mei, Deus (“Have mercy on me, O God”), a setting of the first verse of…
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Quinquagesima (March 3, 2019)
Love is a prominent theme in the prayers, readings, and songs for this Sunday. In our opening hymn, “My God, I love thee,” we reflect on the affirmation in I John 4:19, that we love God because he first loved us. As our hymn declares: “Not with the hope of gaining aught, nor seeking a reward, but as thyself hast loved me, O ever-loving Lord!” The Collect for the day is a prayer that we might be made more loving: O Lord, who hast taught us that all our doings without charity are nothing worth; Send thy Holy Ghost, and pour into our hearts that most excellent gift of charity, the…
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Sexagesima (February 24, 2019)
A theme present in the opening hymn, the Introit, and the Collect for today is God’s defense and protection of his people. Our processional hymn is “We gather together.” In the final stanza of this hymn, we sing a prayer that God will continue to be our defender, and that we might escape tribulation. The Introit sung by the choir is known by its Latin name as Exsurge; quare obdormis Domine? The plea in this prayer is taken from Psalm 44: Arise, O Lord, wherefore sleepest thou? Awake, and cast us not away for ever: wherefore hidest thou thy countenance and forgettest our adversity and misery? Our belly cleaveth unto the…
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Recommended reading: Melodious order
In his 1986 book Foolishness to the Greeks, Lesslie Newbigin argued that the central fact of modern culture is “the elimination of teleology.” If one had need of reducing the complex systemic confusions of modernity to a single phrase, he could do a lot worse. Modern culture — submitting abjectly and irrationally to the idol of Choice — cannot acknowledge the existence of purposes or ends in the cosmos that would direct or constrict our choosing. The genealogy of this idolatry is variously explained, but there is a rough consensus among scholars from various disciplines and diverse belief systems (including some who celebrate modernity) that the Enlightenment of the eighteenth…
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Septuagesima (February 17, 2019)
This Sunday, we begin the pre-Lenten season, a period in which the structure of our liturgy changes. The name suggests that this Sunday is 70 days before Easter. Actually, it is only 63 days before Easter, but the name is still fitting, since the day falls within the 7th (septimus) decade or 10-day period (the 61st to the 70th day) before Easter. Our opening hymn — “Give praise and glory unto God” — presents 3 of the 9 verses of a hymn by Johann Jakob Schütz (1640-1690). First published in 1675, the German original has inspired at least 6 different English translations. In addition to the version in our Hymnal, there are translations…
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Saul on the Road to Damascus, Part 3
The week before last, I introduced readers to Heinrich Schütz’s Saul, Saul, was verfolgst du mich? (SWV 415). This short work presents the moment when the words of Jesus come to Saul, the initial phase of his conversion. Saul, Saul, why do you persecute me? It will be hard for you to kick against the thorns. Calvin Stapert (whose books on various musical topics I often cite) wrote to share with me some comments on how Schütz constructed this short work. With Stapert’s permission, I’ve posted his comments below. First, here is another recording of Saul, Saul, was verfolgst du mich? featuring the Monteverdi Choir and the English Baroque Soloists, conducted…