PropersPsalms Propers         Introit Adorate Deum. Psalm 97All ye angels of God, fall down, and worship before him: Sion heard, and was exceeding joyful, and the daughters of Judah were glad. The Lord is King, the earth may be glad thereof: yea, the multitude of the isles may be glad thereof. Glory be to the Father and to the Son and to the Holy Ghost. As it was in the beginning, is now, and ever shall be: world without end. Amen. All ye angels of God . . .         Collect Almighty and everlasting God, mercifully look upon our infirmities: and in all our…

Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone I A 2.

Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone VIII 1.

Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone VII 5.

Plainchant settingAnglican chant by Thomas Attwood (1765–1838)Anglican chant by Jonathan Bielby (born 1944)Genevan Psalter setting by Claude Goudimel (1510–1572), sung in JapaneseChandos Jubilate by George Frideric Handel (1685–1757) Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone VIII 1. Anglican chant by Thomas Attwood (1765–1838) Born in 1765, Thomas Attwood was a chorister in the Chapel Royal whose musical abilities were recognized by the Prince of Wales (George IV). The Prince sent him abroad to study in Italy and in Vienna under Mozart. In 1796, he was appointed organist of St. Paul’s Cathedral and…

Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone V 2.

Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tonus Peregrinus A.

Plainchant settingsAnglican chant setting by Matthew Camidge (1764–1844)Anglican chant settings by Samuel Sebastian Wesley (1810–1876) and Herbert Stanley Oakeley (1830–1903) Plainchant settings The recordings below are based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. Verses 1–19 are chanted to Tone II 1. Verses 20 to the end of the Psalm are chanted to Tonus Peregrinus A. Anglican chant setting by Matthew Camidge (1764–1844) The Westminster Abbey Choir sings Psalm 22 in a setting by Matthew Camidge. The choir is conducted by Martin Neary and the organist is Andrew Lumsden. Anglican chant settings by Samuel Sebastian Wesley (1810–1876) and Herbert Stanley Oakeley (1830–1903) The Salisbury…

Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone VII 6.

Plainchant settingAnglican chant setting by Reginald Moore (1910–1968)Anglican chant setting by Henry Thomas Smart (1813–1879) Plainchant setting The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. It is chanted to Tone III A 4. Anglican chant setting by Reginald Moore (1910–1968) The Exeter Cathedral Choir sings a setting of Psalm 13 composed by Reginald Moore. They are directed by Andrew Millington with organist Paul Morgan. Anglican chant setting by Henry Thomas Smart (1813–1879) The Choir of Wells Cathedral, under the direction of Anthony Crossland, sings Psalm 13 to an Anglican chant for choir and organ by Henry Thomas Smart. The organist…