Plainchant settings
Anglican chant settings by Samuel Matthews (1796-1832) and G. W. Martin (1828-1881)
Anglican chant settings by Henley, Wesley, Sievewright, and Tambling
Anglican chant settings by Gauntlett, Stanford, and Watson
Plainchant settings
The recording below is based on the Sarum Psalm tones as presented in the St. Dunstan’s Plainsong Psalter. The first section is chanted to Tone I B 1. The second section uses Tone I A 5. The third section is sung to Peterborough Tone VII 9.
When viewed directly on YouTube, this video also presents commentary on the text of this Psalm.
Anglican chant settings by Samuel Matthews (1796-1832) and G. W. Martin (1828-1881)
In a recording made at an Evensong in 1970, the Guildford Cathedral Choir sings Psalm 37. The choir alternated between settings by Samuel Matthews (1796-1832) and George William Martin (1828-1881). The choir was directed by Barry Rose.
Anglican chant settings by Henley, Wesley, Sievewright, and Tambling
The Choir of Liverpool Metropolitan Cathedral sings Psalm 37 to settings by Phocian Henley (1728–1764), Samuel Sebastian Wesley (1810–1876), Andrew Sievewright (1926–2010), and Christopher Tambling (1964–2015). The conductor is David Poulter and the organist is Ian Tracey
Anglican chant settings by Gauntlett, Stanford, and Watson
The entire Psalm is sung here by the Choir of York Minster, directed by Philip Moore. The organist is John Scott Whiteley. Three different chant settings are employed: by Henry John Gauntlett (1805–1876), Charles Villiers Stanford (1852-1924), and Sydney Watson (1903-1991).